The Wondrous and Tragic Life of Ivan and Ivana

The Wondrous and Tragic Life of Ivan and Ivana, by Maryse Condé, translated by Richard Philcox, ©2020, World Editions

Time for a trip into a wondrous life. Get ready for a look at a tragic life. Get them twinned together in one package as I jump into The Wondrous and Tragic Life of Ivan and Ivana by Maryse Condé, as translated by Richard Philcox. Not only do I have a book review for you, but today is publication day (in the US) for this Winner of the 2018 Alternative Nobel Prize in literature.

The Wondrous and Tragic Life of Ivan and Ivana

Ivan and Ivana are twins born in Guadeloupe. While all twins tend to have a preternatural bond, the link between Ivan and Ivana seems stronger than most. Joined in the womb, they struggle to separate in life, even as the world pushes them in different directions. 

Ivan is the first born, headstrong, and a rebel in their small town on the island nation. Ivana on the other hand is smart, kind, and loved by all. Their mother looks for ways to set them both on the best path, which isn't always easy. Her solution—to send them to their erstwhile father, whom they have never met, in faraway Mali. A solution that neither of the twins embraces, but finally acquiesces to, to please their mother. 

While life in Guadeloupe has its challenges—poverty, racism, classicism—it doesn't get any better on Mali's shores at their father's side. Their former experiences are mirrored in this new setting. Ivan is dropped into a corrupt military, and again finds himself friendless, but for his sister. In contrast, Ivana works in an orphanage helping the least fortunate, at the same time as building a strong bond with her father and others in their new community. While outsiders don't understand their deep bond, it remains unshakable. At times, almost illicit. 

As the narrator continues to spin the tale, we see brushes with terrorism, anti-immigration sentiments, and the struggle to escape ingrained poverty. Where Ivan and Ivana seem destined for different paths along these continuum, they remain inexplicably linked. They cannot live with each other, but cannot live apart, and time just seems to make this bond worse for both of them. Location doesn't seem to have a hope to change the outcome. 

Novel or Social Commentary?

So why does Condé use a third person narrative? It gives an omniscient feel to the events, as we oversee the struggles of the fated twins. In that voice, she has the ability to point out the bleak world that Ivan traverses and contrast it to the more hopeful Ivana. Can we have one without the other? The struggle we see the twins grapple with suggests the difficulty in that. The world still holds a tragic divide between the haves and have nots and that divide continues to have the power to destroy lives. 

Are the twins destined for destruction due to their entwined lives? Is the world? Can we separate these disparate halves to see one or the other survive or do we need to look closer at the reasons behind their struggles—the world's struggles—and work at resolving its woes for the better of all? It would seem so, but the question becomes how. 

There is a depth to the novel that Condé offers us. While it is a work of fiction, she has seen firsthand many of the scenes depicted in her book. Maybe we should take a moment to see how we can learn from her experiences. As the world suffers through a pandemic that is sweeping the globe and touching everyone, regardless of race, education, or economic class, perhaps now is the moment to break down some of those barriers. For aren't we all in this Wondrous and Tragic Life together?

Boekenweek 2020: Rebels and Dissenters

Boekenweek 2020

Rebels and Dissenters

Welcome to Boekenweek 2020! I am pleased to launch the North American leg of this year's Boekenweek celebrations. It is the second year that World Editions has brought the Dutch literary festival to North America and there is plenty to celebrate. Not only are there seven fantastic books in translation on this year's tour, but there are also six bloggers reviewing those books. Make sure to stop by my fellow writer's blogs to see their take on this year's Boekenweek novels.

Boekenweek runs from March 7th through to March 15th, 2020. This year's theme is Rebels and Dissenters. It is apt that Esther Gerritsen's book is therefore one of those books. And I was lucky enough to get a copy of the book to review for this year's Blog Tour.

Roxy

Roxy by Esther Gerritsen, translation by Michele Hutchison, ©2020, World Editions

Originally published in 2014, Roxy has sold over 20,000 copies in the Netherlands. It released to the US market on March 4th and I am sure Esther Gerritsen is waiting to see the response to her gripping novel. With a protagonist whom you don't know what to expect from, Roxy is the perfect image for this year's theme of Rebels and Dissenters.

The novel opens with middle-of-the-night visitors for our main protagonist, 27-year-old Roxy. Her 3-year-old daughter lies sleeping upstairs. Middle of the night visitors never bode well, usually only mean one thing, especially when they are police officers. And Roxy is correct when she assumes it means her husband has died. While you might assume the novel to come is about grief and the process of it, Gerritsen throws in a twist that throws Roxy off and has her coming unhinged—her husband died in a car accident in a compromising position with a woman. While Roxy immediately tries to downplay the circumstances, it is no good. Her husband and his intern were found naked in a car together. Cue the unravelling.

Death is enough for any one person to deal with, but throw in infidelity and you've got a whole lot more to process. And as Roxy begins to process that, we begin to see a bigger picture of who she is, the choices she has made in the past, and how her underlying instabilities might be enough to see her come completely undone.

It calls for a road trip with unlikely companions; her husband's assistant, the babysitter, and her daughter. Roxy is running from grief, from life, from responsibilities—but she just can't shake them. You never can. As her reckless behaviour escalates, it looks like this rebel might implode. Or maybe she already has and is just coming back around again? It is a bumpy ride for sure and it's hard to know where it will end for Roxy or her companions. But there is definitely far more than just a grief journey going on in this novel. Roxy bucks the 'poor widow' motif and it is hard to understand where she will go from there. When you are barely holding onto reality on a good day, a major catastrophe is enough to make things untenable everywhere. But is she that much different from her road trip companions? Is her reaction that much different from anyone else's?

Give Roxy a chance and you just might be surprised by how drawn in, and repulsed, you are by Gerritsen's heroine. Michele Hutchison does an excellent job of translating Gerritsen's unbalanced characters into ones you can understand and relate to, and also be shocked by. It is a bumpy ride, so hold on.

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The Darkness that Divides Us

The Darkness that Divides Us by Renate Dorrestein, translation by Hester Velmans, ©2019, World Editions

Another rebel in the making is 6-year-old Lucy. She lives in the draughty old rectory on the village green, and her mother is different than other mothers. Her mum dresses in black, reads tarot cards to the local women, and is sought after by the local men. They live with the Luducos; two bachelors of indeterminate age and vocation, who no one seems to know much about. None of them tend to leave the house and an air of mystery surrounds them all. But feisty Lucy is a magnet for the other children in the housing development. Her magnetism changes in tone as the novel progresses though.

We are given a glimpse into the future fate of Lucy in the opening pages. She is brutally bullied by the local kids and they can't seem to get enough of tormenting her. It wasn't always that way though. Lucy has an indomitable spirit that draws people in. Like her mother, she enchants people, but she too is different. And while she starts as a leader amongst the children, a fateful event quickly divides them all. The other children still can't help but be attracted to her, but the attention shifts to a darker tone, one that none of them seems capable of breaking.

Renate Dorrestein presents the story in three parts; Lucy's life at age 6, age 12, and age 18. The first section is narrated by the other children in the village. They take in Lucy and her strange family, and then the tragic events that unfold. Their loyalty sways when Lucy becomes numb, but she is always a focus of their attentions. Only it changes from adoration to dismay, and then that attention becomes downright vicious.

By the second section—Lucy at age 12—she herself is the narrator. Where the other children try to coax by their favourite playmate by any means possible, Lucy herself is unravelling. She feels like she deserves all the anger and sorrow that comes her way. As the reader, you slip inside her head to see her personal torments and can't help but feel for the outcast child. Events whisk them away, but the shame remains and Lucy can't shake it, no matter where she lives. By the time we reach the last section though, Lucy is 18 and is ready to face the demons she has battled with for so long. Demons that have kept her apart from everyone.

I for one was rapt throughout the journey. Hester Velmans does an excellent job in translation, as evidence by my devouring the book in short work. You want to know what makes a rebel? Sometimes you have to look behind the scenes and Dorrestein holds by the curtain for us to see. A great read in my opinion.

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While these are my takes on a couple of excellent books in translation, there are other stops on the blog tour. Be sure to visit them all this week to see their take on these books and the others in the second World Editions blog tour celebrating Boekenweek. Pick up a copy of one or all of these books to join in the literary celebrations all week.

Veel leesplezier! Happy reading!

Real Life

REAL LIFE: A Blog Tour with World Editions

Real Life by Adeline Dieudonné, Translated by Roland Glasser ©2019, World Editions

"At home there are four bedrooms: one for her, one for her little brother Sam, one for her parents, and one for the carcasses."

This is where Real Life starts. At least that is where the story begins in Adeline Dieudonné's stunning debut novel. And funny enough, it wasn't until I reached the end of the book that I noticed that the main protaganist in Real Life doesn't have a name. The narrative is written in first person, thus remains nameless throughout the book. This is telling, as her voice is poignant to the reader, but silent in her real life. Make no mistake though. She orchestrates her outward silence, all while working hard to create a better life for the only person she truly cares about—Sam. But silence comes with a cost.

Adeline Dieudonné

It is not only the narrator who remains nameless in Dieudonné's novel. Her weak and ineffectual mother is referred to simply as an amoeba; spineless and without form or creativity. Her father—a raging, brute of a man intent on pain—also gets no additional title. Even neighbours whom she forms a loose bond with only get the titles of Feather Girl and Champion. They are both adrift in their lives and only represent a means to a way out; through idyllically floating above life or dabbling in sexual escape.

Aside from Sam, the only other characters who earn titles are Monica, Professor Pavlović and his wife Yael.

Names. What do they mean and represent? 

For our narrator, she names things she loves and respects the most; her once innocent brother, a neighbour who gives her the initial spark to fight to change her life, her teacher who gives her the tools to make a difference, and his wife whose strength to stand up to violence—and the price she paid for it—all represent the best of who she wants to be. Those names are hard-earned and deserving in that vein of thought. Conversely, the decided lack of labels represent the holes our narrator sees herself needing to climb out of.

Dieudonné paints a world where family relationships are complicated, violence is endemic, and the choices we make shape everything. Make the right choice and rise above the rabble or, conversely, be destined to mediocrity or worse. Education is key. As soon as Monica's worth is spent—she gives the narrator the key to escape with the story of Marie Curie—she disappears from the story. Her role is noteworthy though, as Monica's spark, her inspiration, begins the possibility of going back and changing what the future might look like. The keys are in maintaining your innocence (Sam), hard work (Professor Pavlović), dedication (Yael), and a little insight (all herself), that she better understands the path. The trick is knowing which path to take and which parts should remain in place. Sometimes a life or death decision.

Of course, that is only my take on the book. I tried not to let in too many spoilers, but just know that I enjoyed it in its darkness and light, its violence and redemption. I happen to know that a few other people have read the book too and have insight on Real Life. Time for some blog hopping to visit the other bloggers taking part in the World Editions blog tour! If you get the chance, make sure to see what Jamie Wong, Debi Lantzer, Meredith Smith, and Kayla Whitter think of Real Life.

Even better, grab a copy yourself and let me know what YOU think.